Good Bye Lenin! / Гудбай Ленин

Good Bye, Lenin!is a 2003 German tragicomedy film, released internationally in 2003. Directed by Wolfgang Becker, the cast includes Daniel Brühl, Katrin Sass, Chulpan Khamatova, and Maria Simon. Most of the scenes were shot at the Karl-Marx-Allee in Berlin and around Plattenbauten near Alexanderplatz.

Directed by Wolfgang Becker
Produced by Stefan Arndt
Written by Wolfgang Becker
Bernd Lichtenberg
Starring Daniel Brühl
Katrin Sass
Chulpan Khamatova
Maria Simon
Alexander Beyer
Music by Yann Tiersen
Claire Pichet
Cinematography Martin Kukula
Editing by Peter R. Adam
Distributed by Sony Pictures Classics
Release date(s) February 27, 2004
Running time 121 min
Country Germany

In a prologue, Alex Kerner (Daniel Brühl) recalls as a child (in 1978) how proud he was along with his countrymen when the first German to enter space, Sigmund Jähn, came from the East.

The rest of the film is set in East Berlin, spanning from October 1989 to just after German unification a year later. Alex lives with his sister, Ariane (Maria Simon), his mother, Christiane (Katrin Sass), and Ariane's infant daughter, Paula. His father fled to the West in 1978, apparently abandoning the family. In his absence, Christiane has become an ardent idealist and supporter of the ruling Socialist Unity Party of Germany (the Party). When she sees Alex being arrested in an anti-government demonstration, she suffers a near-fatal heart attack and falls into a coma. The police ignore Alexander's plea to assist his mother, rather releasing him later that evening to go and see her.

Shortly afterward, the Berlin Wall falls. In that time, capitalism comes to East Berlin, and Alex loses his job before "winning" a new position in a ballot to install satellite dishes with West Berlin resident Dennis (an aspiring filmmaker) while Ariane leaves university to work at a Burger King drive-thru. After eight months, Christiane awakes, but is severely weakened both physically and mentally. Her doctor asserts that any shock might cause another, possibly fatal, heart attack. Alex realizes that the discovery of recent events would be too much for her to bear, and so sets out to maintain the illusion that things are as before in the German Democratic Republic. To this end, he and Ariane revert from the gaudy decor of the west to the previous decor to their bed-ridden mother's bedroom in the family apartment, dress in their old clothes, and feed Christiane new Western produce from old-labeled jars. Their deception is successful, albeit increasingly complicated and elaborate. Christiane occasionally witnesses strange occurrences, such as a gigantic Coca-Cola advertisement banner unfurling on a building outside the apartment. With Dennis, Alex edits old tapes of East German news broadcasts and creates fake reports on TV (played from a video machine hidden in an adjacent room) to explain these odd events. Since the old news shows were fairly predictable, and Christiane's memory is vague, she is initially fooled.>>>

BAFTA Awards

* Best Film not in the English Language (nominated – lost to In This World)

European Film Awards

* Best Actor (Brühl, won)
* Best Actress (Sass, nominated – lost to Charlotte Rampling, Swimming Pool)
* Best Director (Becker, nominated – lost to Lars von Trier, Dogville)
* Best Film (won)
* Best Screenwriter (Lichtenberg, won)

German Film Awards

* Outstanding Actor (Brühl, won)
* Outstanding Actress (Sass, nominated – lost to Hannelore Elsner, Mein letzter Film)
* Outstanding Direction (Becker, won)
* Outstanding Editing (Adam, won)
* Outstanding Film (won)
* Outstanding Music (Tiersen, won)
* Outstanding Production Design (Holler, won)
* Outstanding Supporting Actor (Lukas, won)
* Outstanding Supporting Actress (Simon, nominated – lost to Corinna Harfouch, Bibi Blocksberg)

Golden Globe Awards

* Best Foreign Language Film (nominated – lost to Osama)

Goya Awards

* Best European Film (Becker, won)

London Film Critics Circle

* Best Foreign Language Film (won)

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HOME PAGE (ENGLAND)

Wings of Desire/ Der Himmel über Berlin / Небо Над Берлином

Wings of Desire is a 1987 film by the German director Wim Wenders. Its original German title is Der Himmel über Berlin, which can be translated as The Sky (or Heaven) over Berlin. Rainer Maria Rilke's poetry partially inspired the movie; Wenders claimed angels seemed to dwell in Rilke's poetry. The director also employed Peter Handke, who wrote much of the dialogue, the poetic narrations, and the film's recurring poem "Song of Childhood." The film was followed by a sequel, Faraway, So Close!

Directed by Wim Wenders
Produced by Wim Wenders
Anatole Dauman
Written by Wim Wenders
Peter Handke
Starring Bruno Ganz
Solveig Dommartin
Otto Sander
Curt Bois
Peter Falk
Music by Jürgen Knieper
Cinematography Henri Alekan
Distributed by Orion Classics (U.S. only)
Release date(s) 23 September 1987
Running time 127 minutes
Country Germany
France
Language German, English, French and Italian


Set in West Berlin in the late 1980s, toward the end of the Cold War, it follows two angels, Damiel (Bruno Ganz) and Cassiel (Otto Sander), as they roam the city, unseen and unheard by the people, observing and listening to the diverse thoughts of Berliners: a pregnant woman, a painter, a broken man who thinks his girlfriend no longer loves him. Their raison d'être is not that of the stereotypical angel, but as Cassiel says, to "assemble, testify, preserve" reality. In addition to the story of two angels, the film also is a meditation on Berlin's past, present, and future. Damiel and Cassiel have always existed as angels; they existed in Berlin before it was a city, and in fact before there were even any humans.

Among the Berliners they encounter in their meanderings is an old man named Homer (Curt Bois), who, unlike the Greek poet of war Homer, dreams of an "epic of peace." The angel Cassiel follows the old man as he looks for the then-demolished Potsdamer Platz in an open field, where all he finds is the graffiti-covered Berlin Wall.

Although Damiel and Cassiel are pure observers, invisible to all but children, and incapable of any physical interaction with our world, Damiel begins to fall in love with a circus trapeze artist named Marion (Solveig Dommartin), who is talented, lovely, but profoundly lonely. Marion lives alone in a trailer, dances alone to the music of Nick Cave and the Bad Seeds, and drifts through the city.

A subpart of the film follows Peter Falk, cast as himself, who has arrived in Berlin to make a film about Berlin's Nazi past. As the movie progresses, it turns out that Peter Falk was also once an angel, who renounced his immortality to become a mortal participant in the world after he grew tired of always observing and never experiencing.

Eventually, Damiel too longs for physicality, and to become human. When he sheds his immortal existence, he experiences life for the first time: he bleeds, sees colors for the first time (the movie up until now is filmed in a sepia toned monochrome, except for brief moments when the angels are not present or looking), tastes food and drinks coffee. Meanwhile, Cassiel inadvertently taps into the mind of a young man just before he commits suicide by jumping off a building; Cassiel tries to save the young man but is unable to do so, and he is left haunted and tormented by the experience. Eventually, Damiel meets the trapeze artist Marion at a bar, and they greet each other with familiarity as if they had long known each other. In the end, Damiel is united with the woman he had desired for so long. The film ends with the message: "To be continued."

The story is concluded in Wenders' 1993 sequel, In weiter Ferne, so nah! (Faraway, So Close!).(WIKI)


MORE INFO

Schläft ein Lied in allen Dingen/Колыбельные / SLEEPING SONGS

"An artist's search for new ideas leads him on a journey of self-discovery in this drama from German filmmaker Andreas Struck. Martin (Stefan Rudolf) is a musician who works with a well-respected experimental jazz ensemble. Martin is a man driven to break the rules and defy creative convention at every turn, but he feels he's losing touch with his muse, and has begin to suspect his girlfriend is more interested in dating a well-known musician than in his true nature. One evening, it all becomes too much for Martin, and he leaves the stage midway through a performance, stopping by the banks of a river to toss his horn into the water. Martin becomes a drifter, wandering for the sake of wandering, until he crosses paths with Hannah, an eccentric elderly woman who writes poetry. Hannah may not seem like the sort of person Martin has been waiting to meet, but the longer he reads her work, the more he suspects she has an understanding of both art and life that he lacks. Schlaeft ein Lied in Allen Dingen (aka Sleeping Songs) was an official selection at the 2009 Berlin International Film Festival. ~ Mark Deming, All Movie Guide"



Credits
SCHLÄFT EIN LIED IN ALLEN DINGEN

Director
STRUCK, Andreas
Production Company
Neue Mediopolis Filmproduktion
Production Company
WDR - Westdeutscher Rundfunk
Production Company
ARTE
Producer
HENGGE, Petra
Producer
RIS, Alexander
Producer
ROTHE, Jörg
Production Manager
HESS, Hans Christian
Assistant Director
SEIBERT, Dirk
Casting
DIHRBERG, Anja
Screenplay
GABLER, Dagmar
Director of Photography
DOUB, Andreas
Editor
JACOBS, Karin
Production Designer
FREYER, Jutta
Costume Designer
WEGNER, Elena
Music
MOLVAER, Nils Petter
Sound Design
SCHMIDT, Sebastian
Mixer
MEHL, Olaf
Sound
VARZA, Siddh


Martin
RUDOLF, Stefan
Kristina
KHAMATOVA, Chulpan
Hanna
HÖSS, Traute
Rio
METSCHURAT, Barnaby
Atze
ALTMANN, Michael
Maggie
KALENBERG, Paula
Wiesel
KIEFER, Martin
Konrad
PACKHÄUSER, Wolfgang
Rick
FRISCH, Arno
Jakob
GROTHGAR, Andreas
policewoman
ENGELHARDT, Bettina